They were developed during the 19 th and 20 th centuries. After that, such styles and Slab Serif, Sans Serif, Decorative, and Script styles occurred. Finally, Modern style includes the achievements of the late 18 th century. Transitional style can generally be referred to as the mid of the 18 th century. Old style covers changes and development that date back to the 15 th-17 th centuries. Mainly, the history of typefaces stating from the 15 th century is divided into several different periods. The last name of the original designer was kept to recognize Garamond fonts. Later, it was brought back to life by modern designers and French National Printing Service and American Type Founders, namely. As a result, his typefaces disappeared for two hundred years. In 1561, after Claude Garamond died, his wife had to sell all of his punches and tools. Greek, Roman, and italic fonts designed by Garamond were purchased by various publishers to print outstanding literary works of the 1500s, including “Paraphrasis in Elegantiarum Libros Laurentii Vallae” by Erasmus (Font Designer – Claude Garamond, 2015).Īs a result, Garamond’s work was re-created and adopted by other punch-cutters. (Something I’ll be writing about in future posts here on Sitepoint).The designed never managed to acquire any revenues from his inventions even though they became incredibly influential all around Europe of that time. Are the fonts used serif, sans-serif, decorative? The more familiar you become with type, you’ll find that you begin to experiment and you’ll also start to figure out which fonts work well together. Look at the ads when you’re standing at the bus stop. Next time you’re reading a magazine or book, or looking at a website, take time to figure out what kind of font is being used. One way to become more conscious of typefaces is to make an effort to look more closely at type. When you start to look closely though, as well as their similarities, you’ll start to notice the little differences that make each one unique. You might think that these fonts look almost identical on first glance. Note all of the text below is set at size 80pt and leading of 80pt. Other well known examples of Old Style fonts include Garamond, Gaudy Old Style, Perpetua and Minion Pro. If you find that’s the case, you could consider using the fonts below for headings and sub-headings. There is an argument that for print-based work serif fonts are the best, while for the web/screen sans-serif fonts are easiest to read. Old Styles don’t jump off the page with any sort of quirkiness and that’s what makes them easy on the eye. They can also work well on the web and two Old Style fonts are considered to be web-safe: Times New Roman and Palatino Linotype. That’s why you’ll find them used heavily in newspapers, magazines and books. Old Style typefaces are considered to be the best type for large amounts of body text on paper. ![]() ![]() The very first italic letters were produced with Old Style fonts in the early 1500s. The serifs on Old Styles are always angled and if you draw a line though the thinnest parts of the letters, you’ll see that the stress is diagonal. Unlike Modern typefaces, the thick/thin transition is moderate and not so obvious. Their relation to calligraphy can be seen in the curved strokes and letters with thick to thin transitions, looking somewhat like letters drawn with a pen and ink. Old Style (occasionally referred to as Humanist) typefaces are based on hand lettering of scribes and they first appeared in the late 15th century, before Modern typefaces. I think for all of us, our design work can only improve when we become more aware of the different categories of fonts, their characteristics and similarities, and for what purpose they are most suited, whether we work in web or print design. Last week, we had a look at the Modern typeface and to continue this series of posts on font categories, today we’ll take a look at the beautiful Old Style typeface.
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